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Variations on a Theme by Sor
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You've selected:
Variations on a Theme by Sor
Sheetmusic to print
81 sheet music found
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1
26
51
76
O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
#
Guitar
#
ADVANCED
#
Yoann FILIN
#
O Lord, Hear my Prayer
#
Yoann Filin
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093...
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Solo Guitar - Level 5 - SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093365. Published by Yoann Filin (A0.1013277). O Lord, Hear my Prayer : Introduction, Theme and Variations on a Theme by Jacques Berthier.Variations for solo guitar written from September to December 2019, after one year intensively studying Bach, Brahms and Sor's studies. The original choral piece is one of many songs composed by organist Jacques Berthier (1923-1994) for the Christian community of Taizé.
$12.00 ≈
11.19€
Variations on a Theme by Sor (Violin and Guitar) - Var. 3
Variations on a Theme by Sor (Violin and Guitar) - Var. 3
#
Violin, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752969 Composed by Kevin Love. Classical,Contemporary. Score and parts. 2 pages. K...
(+)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752969 Composed by Kevin Love. Classical,Contemporary. Score and parts. 2 pages. Kevin Edward Love #40899. Published by Kevin Edward Love (A0.752969). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$2.50 ≈
2.33€
Variations on a Theme by Sor (Violin and Guitar) - Var. 1
Variations on a Theme by Sor (Violin and Guitar) - Var. 1
#
Violin, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752967 Composed by Kevin Love. Classical,Contemporary. Score and parts. 4 pages. K...
(+)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752967 Composed by Kevin Love. Classical,Contemporary. Score and parts. 4 pages. Kevin Edward Love #40893. Published by Kevin Edward Love (A0.752967). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$2.50 ≈
2.33€
Variations on a Theme by Sor (Violin and Guitar) - Score and Parts
Variations on a Theme by Sor (Violin and Guitar) - Score and Parts
#
Violin, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752965 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. ...
(+)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752965 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. Kevin Edward Love #40889. Published by Kevin Edward Love (A0.752965). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$13.50 ≈
12.59€
Variations on a Theme by Sor (Violin and Guitar) - Var. 2
Variations on a Theme by Sor (Violin and Guitar) - Var. 2
#
Violin, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752968 Composed by Kevin Love. Classical,Contemporary. Score and parts. 3 pages. K...
(+)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.752968 Composed by Kevin Love. Classical,Contemporary. Score and parts. 3 pages. Kevin Edward Love #40895. Published by Kevin Edward Love (A0.752968). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$2.50 ≈
2.33€
Variations on a Theme by Sor (Cello and Guitar) - Var. 3
Variations on a Theme by Sor (Cello and Guitar) - Var. 3
#
Cello, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.752940 Composed by Kevin Love. Classical,Contemporary. Score and parts. 2 pages. Ke...
(+)
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.752940 Composed by Kevin Love. Classical,Contemporary. Score and parts. 2 pages. Kevin Edward Love #37787. Published by Kevin Edward Love (A0.752940). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$2.50 ≈
2.33€
Variations on a Theme by Sor (Cello and Guitar) - Score and Parts
Variations on a Theme by Sor (Cello and Guitar) - Score and Parts
#
Cello, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.752937 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. K...
(+)
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.752937 Composed by Kevin Love. Classical,Contemporary. Score and parts. 25 pages. Kevin Edward Love #37779. Published by Kevin Edward Love (A0.752937). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$13.50 ≈
12.59€
Variations on a Theme by Sor (Cello and Guitar) - Var. 2
Variations on a Theme by Sor (Cello and Guitar) - Var. 2
#
Cello, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Kevin Love
#
Segovia No
#
Variations on a Theme by Sor
#
Kevin Edward Love
#
SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.752941 Composed by Kevin Love. Contemporary. Score and parts. 3 pages. Kevin Edward...
(+)
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.752941 Composed by Kevin Love. Contemporary. Score and parts. 3 pages. Kevin Edward Love #37785. Published by Kevin Edward Love (A0.752941). These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
$2.50 ≈
2.33€
Variations on a Theme by Tommie Wright
Variations on a Theme by Tommie Wright
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Ted Stanley
#
Variations on a Theme by Tommi
#
Ted Stanley
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley ...
(+)
Solo Guitar - Level 4 - SKU: A0.923993 Composed by Ted Stanley. Contemporary. Individual part. 13 pages. Ted Stanley #6639293. Published by Ted Stanley (A0.923993). Tommie Wright (1919 - 2014) was an American pianist and long-time professor at Florida State University where in 1950 he set to music a poem by student Doug Alley to create the FSU Fight Song, the theme of which is the basis for this set of variations for solo guitar.The audio file (Listen) offers the 2nd (Waltz) and 7th (Swing) variations, while the video (Watch) is the 1st variation, where the theme is in the bass.Although the printed order is appropriate, the variations might be performed in any order, or in groupings of three, four, or more. Many of the variations highlight idiomatic techniques of classical guitar performance and could be practiced as studies.Contact: tstanley@fsu.edu (email)
$10.00 ≈
9.33€
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations
#
Thomas Oboe Lee
#
SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
(+)
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune” was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts. When he approached me about writing a “theme and variations” work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village. As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the Terezín Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village. (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me. I immediately fell in love with the very first one on the tape, “Grateful Remembrance.” It had a soulful, melancholic core; an almost “bluesy” feeling to it. In this performance, Deborah will sing the hymn a cappella at the beginning. Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant” setting.III. Grateful Funk … The “bluesiness” of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th” in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99 ≈
9.32€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations
#
Thomas Oboe Lee
#
SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
9.32€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
9.32€
Variations On A Theme Of Mozart Opus 9
Variations On A Theme Of Mozart Opus 9
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Guitar
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EASY
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Classical
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Fernando Sor
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Variations On A Theme Of Mozar
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Hal Leonard Europe
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SheetMusicPlus
SKU: HX.331974 By Fernando Sor. By Fernando Sor. Classical. Easy Guitar. 7 pages. Published by Hal Leonard Europe (HX.331974). ...
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SKU: HX.331974 By Fernando Sor. By Fernando Sor. Classical. Easy Guitar. 7 pages. Published by Hal Leonard Europe (HX.331974).
$2.99 ≈
2.79€
Variations on a theme of Mozart, Op. 9 (Tab)
Variations on a theme of Mozart, Op. 9 (Tab)
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Guitar
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ADVANCED
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Fernando Sor
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Juan Carlos Felix Cordova
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Variations on a theme of Mozar
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Juan Carlos Felix Cordova
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1282197 Composed by Fernando Sor. Arranged by Juan Carlos Felix Cordova. 19th Century,Chamber,Classical. Individual part...
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Solo Guitar - Level 5 - SKU: A0.1282197 Composed by Fernando Sor. Arranged by Juan Carlos Felix Cordova. 19th Century,Chamber,Classical. Individual part. 10 pages. Juan Carlos Felix Cordova #873504. Published by Juan Carlos Felix Cordova (A0.1282197).
$6.50 ≈
6.06€
Carson Cooman: Kayser Variations for piano
Carson Cooman: Kayser Variations for piano
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Piano solo
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ADVANCED
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Carson Cooman
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Carson Cooman: Kayser Variatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publis...
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Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publishing #3038633. Published by Musik Fabrik Music Publishing (A0.533691). This work, Kayser Variations, was written as a tribute to Margaret Kayser, long-timechemistry teacher (for 16 years) at Allendale Columbia School in Rochester, New York onthe event of her retirement from teaching.This work takes a variations on a theme form but uses the concept of placing the choraletheme itself in the middle of the work (instead of its customary place at the beginning),surrounded on both sides by variations. The theme is God Save the King/Queen, thenational anthem of the United Kingdom.The pitch material of the variation accompaniment is derived, at some points, from subscriptsand coefficients from chemical formulae and balanced chemical equations.Each of the variations also pokes fun at a different element, style, or method of 20th centurymusic competition. So this work is also a parody of sorts.This work should be performed with a slight break (almost a breath) between each variation.Dynamic markings are provided as a guide but performers should use their own judgment.Pedal should be used by the performer where appropriate. This work should always beperformed in its entirety. The variations should never be played on their own.
$12.95 ≈
12.08€
Suite for Piano
Suite for Piano
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Piano solo
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ADVANCED
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Contemporary
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s Russian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning Iberian melody, and a barely-recognizable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant statement of the opening bells.Early on, I had decided the piece should include references to the other pieces on the recital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor Sonata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a recording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively second movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surprised the next morning when I went to the music library and listened to a recording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I decided to base my middle movement (the slow movement) around the theme of Beethoven’s scherzo, making it the hidden theme for a short set of variations. The end of the movement also contains less direct references to the music of Brahms (very short allusions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, providing a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
11.19€
Introduction et Variations
Introduction et Variations
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Guitar
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ADVANCED
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Classical
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Fernando Sor
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Jan De Kloe and Matanya Ophe
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Introduction et Variations
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Chanterelle
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SheetMusicPlus
Guitar - advanced - On a theme of Mozart from the Magic Flute. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Matanya Ophee. This e...
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Guitar - advanced - On a theme of Mozart from the Magic Flute. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Matanya Ophee. This edition: Sheet music. Downloadable. Op. 9. Duration 10 minutes. Chanterelle #Q51803. Published by Chanterelle
English - German.
This edition has been chosen for the Michele Pittaluga guitar competition in 2010. Fernando Sor's most popular work, happens to probably be his best anyway. When Andres Segovia started playing it regularly its place in the guitar repertoire was guaranteed. This is an offprint of Volume 2 of Sor's Complete works for guitar.
$9.99 ≈
9.32€
Andantino for Guitar
Andantino for Guitar
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Guitar
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INTERMEDIATE
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Fernando Sor
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Arte Nova Music Lab
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Andantino for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual pa...
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Solo Guitar - Level 3 - SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 4 pages. Arte Nova Music Lab #3684051. Published by Arte Nova Music Lab (A0.742430). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99 ≈
3.72€
Vals No 1 for 2 Guitars
Vals No 1 for 2 Guitars
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Guitar
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EASY
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Fernando Sor
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Arte Nova Music Lab
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Vals No 1 for 2 Guitars
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages....
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Solo Guitar - Level 2 - SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages. Arte Nova Music Lab #3684065. Published by Arte Nova Music Lab (A0.742432). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99 ≈
3.72€
Fernando Sor: Variations On A Theme Of Mozart Op.9 for guitar solo
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Guitar
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INTERMEDIATE
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Classical
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Fernando Sor
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Virtualsheetmusic
Instantly downloadable sheet music by Fernando Sor for guitar solo of MEDIUM skill level. Contents: opus 9, op. 9 / classical,spanish
Instantly downloadable sheet music by Fernando Sor for guitar solo of MEDIUM skill level. Contents: opus 9, op. 9 / classical,spanish
$3.75 ≈
3.50€
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